Maoist Echoes

In an essay published in 2018, Geramie Barme recommends observers of US-China relations read through five pieces that Hu Qiaomu and Mao Zedong published in 1949 under the latter’s name. The five pieces were Mao’s response to Dean Acheson’s China White Paper, a compendium of State Department documents intended to clear the Truman administration from the charge of “losing China.” Neither Mao nor Hu slogged through the hundreds of documents there compiled, but they did pay close attention to the prefatory “Letter of Transmittal” that Acheson released along with the White Paper. In this statement Acheson famously argued that “the ominous result of the civil war in China was beyond the control of the government of the United States” and expressed his hope that “ultimately the profound civilization and the democratic individualism of China will reassert themselves and she will throw off the foreign [i.e. communist] yoke.”

Over the weekend I took Barme’s advice.

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The Lights Wink Out in Asia

Japan’s 2022 National Security Strategy concludes with a dramatic pronouncement:

At this time of an inflection point in history, Japan is finding itself in the midst of the most severe and complex security environment since the end of WWII. In no way can we be optimistic about what the future of the international community will hold

I find myself strangely affected by this document.

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Every Book I Read in 2022

My annual list of books arrives a bit later than usual. However, this delay is in some ways fortunate. Now my list will not be seen as an extended comment on the Lex Friedman reading list discourse. Those not on Twitter will have heard little about this. I envy you: we would all be better off if none of us had seen Friedman tweet out a proposed list of books to read in 2023—some as simple as The Little Prince, others as long and complex as Brothers Karazamov—and the avalanche of snobbery that followed. The entire brouhaha strikes me as a strange upper middle class status game. It seems that an attachment to books normally assigned in 10th grade English is the literary equivalent of glitter mascara or an overcooked steak. All three belong on that select list of items the commentariat can gleefully make fun without fear of “being the asshole.”

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